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演讲简介：
J.J.Abrams对于神秘事物的爱要追溯到一个魔幻般的开端，他在许多影视作品中都表现出了这种热爱，包括：《科洛弗档案》，《迷失》和《双面女间谍》。
n. 夹子，钳，回形针，弹夹
n. 修剪，(羊
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- Now, I bought this decades ago and I'm not kidding. If you look at this, you'll see it's never been opened.
- 我几十年前买的这个，我不是开玩笑的。但我从来没有打开过它。
- But I've had this forever. Now, I was looking at this, it was in my office, as it always is, on the shelf, and I was thinking, why have I not opened this?
- 已经很久了。现在它还在我的办公室，一直在架子上。我在想，我为什么不打开它呢？
- And why have I kept it? Because I'm not a pack rat. I don't keep everything, but for some reason I haven't opened this box.
- 那我为什么留着它？我又不是收破烂的，我不是什么都留着的。但出于某些原因，我没有打开这个盒子。
- And I felt like there was a key to this, somehow, in talking about something at TED that I haven't discussed before, and bored people elsewhere.
- 我总是觉得它有一把钥匙。再来TED之前，我没有对别人说过这些，他们肯定觉得很无聊。
- So I thought, maybe there's something with this. And there was this giant question mark.
- 然后我开始想，到底是什么那么神奇。有个巨大的问号。
- I love the design, for what it's worth, of this thing. And I started thinking, why haven't I opened it?
- 我喜欢这设计，因为它也值得我喜欢。对于这个，我开始想，为什么我从来没有打开过它？
- And I realized that I haven't opened it because it represents something important -- to me.
- 然后我意识到我从未打开它是因为它代表了某些重要的东西。
- It represents my grandfather. Am I allowed to cry at TED? Because -- no, I'm not going to cry.
- 对我而言，它代表了外公。我可不可以在这里哭？不，我不会哭。
- The thing is that it represents infinite possibility. It represents hope. It represents potential.
- 关键在于它给了我无限的遐想空间。它代表了希望，代表了潜力。
- And what I love about this box, and what I realize I sort of do in whatever it is that I do, is I find myself drawn to infinite possibility, that sense of potential.
- 我最喜欢这个盒子之处，就是我意识到我可以做任何我想做的事情，发现我自己沉浸在那种无限的可能和潜力中。
- And I realize that mystery is the catalyst for imagination. Now, it's not the most ground-breaking idea,
- 然后我意识到那份神秘就是想象力的催化剂。现在，这已不是最具开拓性的想法。
- but when I started to think that maybe there are times when mystery is more important than knowledge. I started getting interested in this.
- 但我开始意识到或许有的时候，神秘感比知识重要，我渐渐开始对这个感兴趣了。
- And so I started thinking about "Lost" and the stuff that we do, and I realized, oh my God, mystery boxes are everywhere in what I do!
- 然后我开始构想《迷失》，以及我们后来做的一些东西。然后我意识到，我的天啊，我工作中充满了这种神秘盒子。
- In the creation of "Lost," Damon Lindelof and I, who created the show with me, we were basically tasked with creating this series that we had very little time to do.
- 比如在《迷失》的创作过程中。Damon Lindelof和我一起创作了这部剧，我们当时时间很紧，
- We had 11 and a half weeks to write it, cast it, crew it, shoot it, cut it, post it, turn in a two-hour pilot.
- 只有11周半，要写，要招演员，组织剧组，拍摄，剪辑，然后把它变成2小时的试播片。
- So it was not a lot of time. And that sense of possibility -- what could this thing be? There was no time to develop it.
- 所以时间很少。然后出来一个问题，这能拍成什么样？我们没有时间来发展故事情节。
- I'm sure you're all familiar with people who tell you what you can't do and what you should change. There was no time for that, which is kind of amazing.
- 我肯定你们一定记得那些，告诉你们你不可能做什么，或者你需要改变什么的人，但我们没有时间去想那些，真不可思议。
- And so we did this show, and for those of you who haven't seen it, or don't know it, I can show you one little clip from the pilot, just to show you some stuff that we did.
- 然后我们做了这部剧，对于你们之中一些没看过，或者不知道这部剧的人，我可以放一小段。只是稍微让你们看一段。
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