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在被认为15世纪达芬奇的作品之前，《美丽公主》一直以《穿文艺复兴时装的19世纪德国少女的肖像》为题出售。牛津大学艺术史教授马丁·坎普是达芬奇研究专家，也是最早宣称该画作的高贵出身的专业人士之一。据他推测，画中的模特是米兰公爵鲁多维科斯佛尔扎的私生女，于是他重新命名这幅作品为《La Bella Principessa》，即《美丽公主》。
n. 文件，公文，文档
vt. 记载，(用文件
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- What are some things about the picture
- 这幅画有什么地方
- that are specifically characteristic of Leonardo?
- 是特别有达芬奇个人特色的?
- The elements of the handling by Leonardo
- 达芬奇的作画方式
- are very characteristic.
- 是非常有个人特色的
- First of all he's left handed
- 首先他是左撇子
- but that doesn't mean he's the only left handed artist.
- 但这并不代表他是唯一一个左撇子画家
- But he developed a very characteristic way of shading.
- 但他自己发明了一种很特别的画影线方法
- Very close parallel hatching done left handed.
- 用左手画的排列紧密的平行影线
- None of his circle do that
- 在他的圈子里没有人这么画
- they do it right handed as you might think
- 他们都是用右手画的
- and not do it as well as he does.
- 而且画得没他那么好
- And he developed this system of shading particularly
- 他发明了这种影线画法 尤其是
- for a series of skull drawings which he did in 1489.
- 1489年他画一系列头骨时
- And he wanted to get the specimen to stand out from the paper
- 他想让那些标本在纸上有一种立体感
- so he went down to the edge
- 所以他从线条边缘开始
- on the image with this left handed shading and that's exactly
- 用左手画出这些影线 这也正是
- what he does here to make her profile come out of the paper.
- 他画这个侧面时用到的方法 使她的脸跃然于纸上
- Now this was executed on vellum I understand,
- 我知道这幅画是画在皮纸上的
- so that's something usually used in codex or a book production.
- 这种材质通常是用于古抄本或者书
- Did you find anything referencing that in Leonardo's notebooks?
- 你有没有在达芬奇的笔记中找到与此有关的记载?
- Well
- 是的
- initially when Leona said it's on vellum in ink and
- 一开始当Leona告诉我它是用水墨和彩色粉笔
- coloured chalks I thought that counts against him being Leonardo
- 画在皮纸上时 我想这不是达芬奇的作风
- as we didn't know he did this.
- 因为我们没见过他哪幅画是这样画的
- But then you start to do research and bits of documentation
- 但我们开始做研究 有一些文献
- that you haven't really taken much notice of
- 是我们之前没有注意过的
- before suddenly become relevant.
- 但这时突然变得相关了
- And in rather a famous document called the Linyi Memorandum
- 在一个很著名叫"Linyi备忘录"的文献中
- which Leonardo wrote to a French General
- 这是达芬奇写给一个法国将军的
- as a little memorandum to himself saying
- 提醒他的备忘录 里面写着
- "Get from Jean de Paris the method of dry colouring."
- "从巴黎的Jean那里找来干法染色的方法"
- He talks about Jean's box of pigments,
- 他说到Jean的颜料盒
- he talks about how do you get double and single sheets
- 他说到要怎样拿到双层的和单层的纸
- which is cutting vellum out of a irregular shaped skin.
- 从不规则的动物皮上割下皮纸
- And this Jean is Jean de Paris,
- 这个巴黎的Jean
- Jean Perreal who was with the invading French Kings
- 就是Jean Perreal 他和法国国王一起入侵米兰
- and we know Leonardo knew him and there are other references
- 我们知道达芬奇认识他 这有几个记载可以证明
- so suddenly this odd medium
- 所以这种古老的材质
- which you think well Leonardo didn't do that.
- 我们以为达芬奇不会用它来画画
- Once you start looking for vellum for drawing on animal skin,
- 但一旦你开始在他的笔记中寻找
- in his notebooks you find that
- 皮纸 用动物皮来画画 你就会发现
- he's talking about this at exactly the right time.
- 他说这个想法的时间正好吻合
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