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So with all that, let's break down one scene and study the motion.
有了这些，让我们根据场景，研究一下黑泽明电影中的运动。
This scene is from Seven Samurai.
这一幕出自《七武士》。
I won't tell you what it's about.
我先不说明它的内容是什么。
See how long it takes you to figure it out.
看看你多长时间能看懂。
Ready?
准备好了吗?
The first shot shows the whole village, then just the important characters, then just the samurai.
第一个镜头展示了所有村民，然后是重要人物，然后是武士。
Right about here...
到这里……
Most people get what's happening.
大多数人都能理解发生了什么。
As Kikuchiyo sits down, his mood ripples outwards to affect the whole village.
菊千代坐下来后，他的情绪蔓延给所有村民。
Notice how much the wind adds to the scene.
注意风对场景的影响。
Even when people are still there's that little bit of wind to spice up the frame.
人们处于静止的状态时，一点点风的运动也能让画面更加生动。
So that's pretty straightforward.
这一目了然。
Now let's jump 60 years into the future.
现在让我们跳跃到60年后的未来。
This is The Avengers.
这是《复仇者联盟》。
Here, we start with a camera move into an establishing shot.
我们从相机移动到定场镜头开始。
But this time...
但这个片段……
-These were in Phil Coulson's jacket.
-这是菲尔·科尔森夹克里的东西。
We get dialogue right away.
角色马上就开始对话。
Throughout this scene, the only things that move are the camera and Nick Fury.
在整个场景中，移动的东西只有摄像机和尼克·弗里。
Even though we have weather outside and actors in the background, none of them are used.
尽管画面中有窗外的天气和演员作背景，但他们都没有发挥作用。
Notice that the camera movement doesn't have a beginning or an end.
请注意，相机一直在移动。
And there's no variation.
而且移动的方式没有任何变化。
Each shot goes in the exact same direction.
每一次都是朝着完全相同的方向移动。
-Maybe I had that coming.
-也许是我的错。
But in Seven Samurai...
但在《七武士》中……
The camera moves have a distinct beginning middle and end.
相机的每次移动都有一个明显的开始、过程和结束。
And each shot changes the direction from the previous one.
每一个镜头都会改变角度。
As he climbs up, Kurosawa uses the movement of the flag...
当角色向上爬时，黑泽明利用了旗帜的移动……
To cut smoothly into this angle: all seven samurai and their banner, together.
顺利地切入这个角度：七名武士全体和他们的旗帜在一起。
This scene has every type of movement carefully pieced together and spaced throughout.
这个场景将不同的运动仔细拼接在一起，并在整个过程中保持间隔。
The weather.
天气。
The group.
群体。
The individual.
个人。
The camera.
相机。
The cut.
剪辑。
But this scene tells its story mostly through dialogue.
但这一幕主要是通过对话来讲述故事。
-called the Avengers Initiative.
-名为“复仇者计划”。
Sure, the camera moves.
当然，摄像机在移动。
But it's pointless movement.
但这是毫无意义的移动。
For all the money that was put into it, this scene feels flat.
尽管投入了大量资金，但这一幕看起来很平淡。
-It's an old-fashioned notion.
-这是个过时的概念。
But how could you improve the scene like this?
但如何改善这样的场景呢？
Well, if you know what the scene's about, try to express it through movement.
如果你知道场景的主题，试着通过运动来表达它。
Start with the character.
从角色开始。
How are they feeling?
他们感觉如何？
Is there any way the actor can convey that by moving?
有没有办法通过动作来传达他们的感受？
Okay, maybe too much.
好吧，这可能太过了。
Let's be more subtle.
让我们更细腻一点。
Take the feeling that's inside the character and bring it out through the background.
通过背景展现角色的内心活动。
If a character is angry and menacing, you can do this...
如果一个角色很愤怒而且来势汹汹，你可以这样做……
Or if she's simmering with resentment...
如果她正深陷怨恨……
Another option is to contrast one person against the group.
另一种方法是将个人与群体进行对比。
So if somebody suffers a very public humiliation, this works.
如果有人遭受了公开羞辱，可以这样做。
Or if they're looking for a needle in a haystack.
或者如果有人在大海捞针。
You can use camera movement to convey excitement.
你可以用相机的移动来传达兴奋。
You can cut on movement to show surprise.
你可以在角色运动时进行剪辑，以体现角色的惊讶。
And you can combine every type of motion into one amazing image.
你可以将不同类型的运动组合成一个令人惊叹的画面。
By the way, you don't need to put every type of movement in every shot.
顺便说一下，你不需要在每一个镜头中都用上所有移动方式。
That's just tiring.
那太累了。
But there's a nice middle ground with lots of variation and subtlety, and you won't know what works best until you try it.
但有一种很好的折中方式，它包含很多变化和微妙的平衡点，你要不断尝试才能知道怎样是最好的。
If you combine the right motion and the right emotion, you get something cinematic.
如果你将正确的运动和正确的情感结合起来，就会得到一些电影化的东西。
-But just for me, I look at his movies two or three times a year.
-但对我来说，我一年看两三次他的电影。
-Just to feel, oh wow, that's why I wanted to be a filmmaker.
-只是为了感受，哦，这就是为什么我想成为一名电影制作人。
-And look what I'm doing now.
-但看看我现在做了些什么。
-Special effects, and then another movie about special effects.
-特效有关的电影，然后是另一部特效有关的电影。
-And then a third movie about special effects.
-然后是第三部特效有关的电影。
Now pick any of his films, go to any scene, and watch how everything moves together.
现在，随便挑选黑泽明的一部电影，随便看一个场景，看看画面中的一切是如何一起运动的。
-You know, it's the visual stimulation that hits the audience.
-你知道，视觉冲击对观众是最重要的。
-That's the reason for film.
-这就是我们拍摄电影的原因。
-Otherwise, we should just turn the light out and call it radio.
-不然我们可以把画面关掉，然后管它叫收音机。
