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Here's an example from David Bordwell: things popping up into frame are funny.
让我用大卫·博德韦尔来举个例子：有东西突然出现在画面中是很有意思的。
-Slow ahead, I can go slow ahead.
-慢速前进，我可以慢速前进。
-Come on down and chum some of this shit!
-赶紧下来撒你这些狗屎鱼饵！
And it's not just things entering frame.
不仅仅是有东西突然出现在画面中。
Consider the opposite.
反过来也是一样。
-I said tell Ms.Laura "Goodbye".
-我说，跟罗拉小姐“道别”。
-Bye, Ms.Laura.
-再见，罗拉小姐。
You can get a laugh from a zoom.
你可以靠镜头推近来制造笑点。
-You wanna pop the trunk and roll the windows down, please?
-请把后备箱打开，把车窗摇下来。
You can get a laugh from a crane up.
你可以用升降镜头制造笑点。
-Shirley, I'm so sorry.
雪莉，我很抱歉。
-I'm going home, Britta.
-我要回家了，布雷塔。
-I know, Shirley, I know.
-我知道，雪莉，我知道。
-No, seriously I'm going home, can you help me up?
-不，说真的我要回家了，你能扶我起来吗？
-Oh.
-哦。
You can get a laugh from a pan.
你可以用摇摄制造笑点。
As Martin Scorsese put it : cinema is a matter of what's in the frame and what's not in the frame.
正如马丁·斯科塞斯所说：电影不外乎就是什么放到画面里，什么放到画面外。
So think about the frame.
所以要考虑画面。
And this isn't a matter of smart or stupid comedy.
这不是喜剧是否有深度的问题。
Really if it works, it works.
有效的就是有效。
So with that here are 8 things Edgar Wright does with picture and sound that I want to see other comedy filmmakers try out.
以下是埃德加·赖特在画面和声音方面使用过的8个技巧，我希望其它喜剧电影制作人也能尝试一下这些技巧。
No.1: Things entering the frame in funny ways.
第一点：让物体以有趣的方式进入画面。
-It's Lizy.
-丽兹找你。
-It's for Scott.
-找史考特的。
-The geographical location shouldn't factor in the application of the law.
-法律实施不该受到地域的限制。
-No thanks.
-不了谢谢。
No.2: People leaving the frame in funny ways.
第二点：让人以有趣的方式离开画面。
-You don't know how to switch off.
-你不知道怎么关闭。
-You didn't see anything suspicious then who did it?
-你没察觉到可疑情况，那是谁干的呢？
No.3: There and back again.
第三点：在那里……还在那里。
-They are still out there?
-他们还在外面吗？
-Yeah.
-还在。
No.4: Matching scene transitions.
第四点：匹配转场。
-Oh, yeah, I remember this house.
-哦，是的，我记得这家。
-Oh how did you do that?
-天啊 你是怎么做到的？
-Wallace!
-华勒斯！
No.5: The perfectly-timed sound effect.
第五点：恰到好处的音效。
-You dumped Kim.
-你不跟金玩了。
-Okay, me and Kim are all good new, all right?
-拜托，我跟金和好了，好吗？
-Do feel free to the book through.
-仔细看这本书吧
No.6: Action synchronized to the music.
第六点：动作与音乐同步。
No.7: Super-dramatic lighting cues.
第七点：超戏剧化灯光效果。
-Be a man.
-像个男人。
-I don't know. What it is about that girl?
-我不知道，她就是很吸引人。
-Scott I forbid you from hitting on Ramona, even if you haven't had a real girlfriend in over a year.
-史考特，你不许追罗蒙娜，虽然你有一年没交过真正的女朋友了。
And No.8...
和第八点……
-I'm taking a shortcut before.
-我之前走过一条捷径。
And you know what, let's thrown in No.9:
好吧，再加个第九点：
-Let them have it.
-给他们点颜色瞧瞧。
So if you're a filmmaker, work on this.
所以如果你是一名电影制作人，努力做到这些。
The frame is a playground.
电影画面就像一个游乐场。
So play.
那就玩吧。
And the next time you go to a theater and pay $15 to see a comedy, don't be satisfied with shit that is less inventive than Vine.
下一次你去电影院花15美元看喜剧，不要再轻易满足于那些创意还不如Vine里面短视频的狗屎。
-And he said that's strange because...
-然后他说，这很奇怪，因为……
